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This Sefapanong Ke Bohang piano tutorial takes you through the song step by step, from the key to the full progression. Eternal Glory Church Worship’s song sits in E♭ major at 100 BPM, and it’s a great one for learning how a verse can start away from home and still feel settled. Follow along with the video above as we go.
The title is Sesotho, and “sefapanong” means “at the cross”. So this is a song that points the room toward the cross, and it should be played with that in mind. At 100 BPM it’s mid-tempo and unhurried. Nothing rushes, nothing shouts.
It suits the worship part of the service, a moment of reflection, or a communion Sunday. Listen to the video once without playing. Notice how much room the band leaves around the vocal.
E♭ major has three flats: B♭, E♭ and A♭. These are the five chords this song uses:
Play each one, say its number out loud, and move on. For the patch, a warm piano with a soft pad works well.
These numbers come from our full chord chart for Sefapanong Ke Bohang.
Verse: 4, 2m, 1, 1, 5, 4, 6m, 5, 1 (A♭, Fm, E♭, E♭, B♭, A♭, Cm, B♭, E♭)
Chorus: 1, 5, 1, 2m, 1, 5 (E♭, B♭, E♭, Fm, E♭, B♭)
Look at how the verse opens. It doesn’t start on the 1. It starts on the 4, steps down to the 2m, then lands on the 1. Listen to the bass: A♭, F, E♭. That downward walk is what gives the verse its sense of bowing low.
Now look at the end of the chorus. It finishes on the 5, B♭, which leaves the music hanging. That’s on purpose. It pulls you back into the next chorus or the next verse.
Right hand: add sevenths for warmth. E♭maj7 (E♭, G, B♭, D) on the 1, Fm7 (F, A♭, C, E♭) on the 2m, A♭maj7 (A♭, C, E♭, G) on the 4. Keep the voicings close together so your hand barely moves.
Left hand: half notes on the root. That’s it. The song doesn’t need more.
Two gospel moves:
If your leader wants this in D or E on the day, don’t relearn it. The numbers stay the same. Our chart page has an every-key table, so check the Sefapanong Ke Bohang chart before rehearsal. During the service, Gig Mode keeps the letters on screen. The reason this works is the Nashville Number System, and it’s worth a read if you haven’t come across it.
E♭ major, at about 100 BPM.
Starting on A♭ and walking down to E♭ gives the verse a gentle descending bass, so the arrival on the 1 feels like a resolution.
Yes. Five chords, a calm tempo and a clear structure make it a strong first tutorial.
Want more Sesotho and isiZulu worship to learn? Browse the worship songs library.
Chord progression mapped to original song timeline.
Sefapanong ke bohaWena Mmoloki waka
Madi a tswang maqebengLe metsi, lehlakoreng
Ka ona, ka ona ke re nhlatsweKe be motle, ke loke