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How to play "Sefapanong Ke Bohang"

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Song by Eternal Glory Church Worship
Original KeyEb
BPM100

This Sefapanong Ke Bohang piano tutorial takes you through the song step by step, from the key to the full progression. Eternal Glory Church Worship’s song sits in E♭ major at 100 BPM, and it’s a great one for learning how a verse can start away from home and still feel settled. Follow along with the video above as we go.

Step 1: Get the feel

The title is Sesotho, and “sefapanong” means “at the cross”. So this is a song that points the room toward the cross, and it should be played with that in mind. At 100 BPM it’s mid-tempo and unhurried. Nothing rushes, nothing shouts.

It suits the worship part of the service, a moment of reflection, or a communion Sunday. Listen to the video once without playing. Notice how much room the band leaves around the vocal.

Step 2: Learn the E♭ major family

E♭ major has three flats: B♭, E♭ and A♭. These are the five chords this song uses:

  • 1: E♭ (E♭, G, B♭)
  • 2m: Fm (F, A♭, C)
  • 4: A♭ (A♭, C, E♭)
  • 5: B♭ (B♭, D, F)
  • 6m: Cm (C, E♭, G)

Play each one, say its number out loud, and move on. For the patch, a warm piano with a soft pad works well.

Step 3: The progression at the heart of this Sefapanong Ke Bohang piano tutorial

These numbers come from our full chord chart for Sefapanong Ke Bohang.

Verse: 4, 2m, 1, 1, 5, 4, 6m, 5, 1 (A♭, Fm, E♭, E♭, B♭, A♭, Cm, B♭, E♭)

Chorus: 1, 5, 1, 2m, 1, 5 (E♭, B♭, E♭, Fm, E♭, B♭)

Look at how the verse opens. It doesn’t start on the 1. It starts on the 4, steps down to the 2m, then lands on the 1. Listen to the bass: A♭, F, E♭. That downward walk is what gives the verse its sense of bowing low.

Now look at the end of the chorus. It finishes on the 5, B♭, which leaves the music hanging. That’s on purpose. It pulls you back into the next chorus or the next verse.

Step 4: Voice it for Sunday

Right hand: add sevenths for warmth. E♭maj7 (E♭, G, B♭, D) on the 1, Fm7 (F, A♭, C, E♭) on the 2m, A♭maj7 (A♭, C, E♭, G) on the 4. Keep the voicings close together so your hand barely moves.

Left hand: half notes on the root. That’s it. The song doesn’t need more.

Two gospel moves:

  • In the verse, the line goes 6m, 5, 1 (Cm, B♭, E♭). Play the 5 as B♭/D, with D in the bass. Now the bass walks C, D, E♭, straight up to home.
  • Before any 5 that ends a phrase, hold B♭sus4 (B♭, E♭, F) for a beat, then let the E♭ fall to D. It sounds like a breath before the next line.

Step 5: Take it to any key

If your leader wants this in D or E on the day, don’t relearn it. The numbers stay the same. Our chart page has an every-key table, so check the Sefapanong Ke Bohang chart before rehearsal. During the service, Gig Mode keeps the letters on screen. The reason this works is the Nashville Number System, and it’s worth a read if you haven’t come across it.

Step 6: Your 20-minute practice plan

  1. 5 minutes: the verse in numbers, left hand only, at 80 BPM with the Smart Metronome.
  2. 5 minutes: the chorus the same way.
  3. 5 minutes: both hands with seventh voicings, at 100 BPM.
  4. 5 minutes: add the B♭/D walk and the B♭sus4, then play along with the video.

FAQ

What key is Sefapanong Ke Bohang in?

E♭ major, at about 100 BPM.

Why does the verse start on the 4?

Starting on A♭ and walking down to E♭ gives the verse a gentle descending bass, so the arrival on the 1 feels like a resolution.

Is this song good for beginners?

Yes. Five chords, a calm tempo and a clear structure make it a strong first tutorial.

Want more Sesotho and isiZulu worship to learn? Browse the worship songs library.

Want the chords & number chart?
Play Sefapanong Ke Bohang in any key — every chord, with the Nashville numbers.
Get the chord chart →

Song Chords Breakdown

Chord progression mapped to original song timeline.

  • B (4)
  • G#Min (2)
  • F#/Gb (1)
  • B (4)
  • D#Min (6)
  • C# (5)
  • F#/Gb (1)
  • –
  • F#/Gb (1)
  • C# (5)
  • F#/Gb (1)
  • G#Min (2)
  • F#/Gb (1)
  • C# (5)

Sefapanong ke bohaWena Mmoloki waka

Madi a tswang maqebengLe metsi, lehlakoreng

Ka ona, ka ona ke re nhlatsweKe be motle, ke loke

🔒

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