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Jehovah Retshepile piano chords belong in every South African praise player’s hands, and in the video above I play the song in A♭ major. It’s a fast Sesotho praise song associated with Neyi Zimu, and “re tshepile” means “we trust,” so the whole song is a declaration of trust in Jehovah. For the keys player, it’s all about drive, stamina and staying locked to the drummer.
This is a fast praise song, the kind that gets the congregation up, clapping and dancing. It works as an opener, or as the song that lifts the room after the offering. When the choir is in full voice and the drummer is pushing, your role is simple: keep the harmony solid and the rhythm tight. Nobody needs fancy chords at this speed. They need you to be dependable.
A♭ major has four flats: A♭, B♭, C, D♭, E♭, F and G. The good news for a fast song is that its main chords are compact and close together on the keyboard. In Nashville numbers:
For sound, use a bright piano, or blend a piano with an organ for that classic South African church feel. Keep the organ low so it supports without washing everything out.
We haven’t charted this song yet, so I’m not going to hand you a progression I can’t stand behind. What I can say is that it lives in the major-key praise family, and the chords above cover what you’ll hear. Fast praise songs like this tend to repeat short phrases many times, so once you’ve worked out one round, you’ve got most of the song.
Work it out with the video above. At this tempo, slow it down if your player allows it. Pick out the bass on each change and match it to the list. Pay special attention to any section where the bass moves step by step through the scale, because that’s where your left hand needs to be most confident.
Fast praise songs love a key change, especially toward the end when the leader wants one more push. If they go up a semitone, you’re in A major. Up a whole step, you’re in B♭. Either way, think in numbers. A 1, 4, 5 in A♭ is still a 1, 4, 5 everywhere else. Keep Gig Mode on your music stand to check the letters, and practise switching keys in the Chord Voicing Lab during the week.
I play it in A♭ major in the video above.
Simplify. Octaves in the left hand, small triads in the right, and keep your hand position tight.
Once you’ve got this one, slow things down with our chart for Ndenzel’ Uncedo, also in A♭.