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Oh Hallelujah piano chords are the kind you want ready in your hands, not on a page, because when Spirit of Praise 8 featuring Ayanda Ntanzi kicks in at 147 BPM, there’s no time to read. This is how I play it in the video above. If your church has a choir that loves a fast praise song, this one belongs in your folder.
Oh Hallelujah is high-energy praise, built around the choir. In a service it’s an opener, a celebration after testimony, or the song the leader calls when the room needs lifting. At 147 BPM the band is pushing hard, and the keys sit right in the middle of it.
The choir is the star. Your job is to set them up: clear chords, strong rhythm, and clean entries so the sopranos know exactly where they’re coming in. The more locked your playing, the bigger the choir sounds.
The recording is in D major, two sharps (F♯ and C♯). It’s a bright key that suits a choir, and it lies comfortably under the hand at speed. Your main chords:
Go for a bright, punchy piano that cuts through drums and choir. If you’ve got a second keyboard or a split, put a gospel organ on the left side for sustained chords under the choir.
We don’t have a full Oh Hallelujah chart on the site yet, so I’m not going to give you a section-by-section breakdown I can’t check. The song lives in the praise family: 1, 4, 5 and 6m in D, which is D, G, A and Bm. At this tempo the chords come round quickly, and the rhythm does most of the work.
Take it by ear. Play the video above, follow the bass, and name each note as a number. You’ll have it mapped in a couple of passes. Our Ear Trainer helps if you’re still building that skill.
Choir songs often get moved for the section that’s carrying the lead, and fast praise sometimes gets bumped up a semitone for the last chorus. Think in numbers and you’re fine. In E♭, the 1, 4, 5, 6m become E♭, A♭, B♭, Cm. In C, they’re C, F, G, Am. The diminished walk moves too: in E♭ it’s Adim between A♭ and B♭.
For live calls, have Gig Mode open so you can see the new letters without slowing down.
The Spirit of Praise 8 recording is in D major at 147 BPM.
It’s from Spirit of Praise 8, featuring Ayanda Ntanzi.
The chords are easy. Keeping time at 147 BPM with a full band is the real work.
To slow things down after this one, try What a Beautiful Name, which sits in the same key of D.
Chord progression mapped to original song timeline.
Oh, oh hallelujah thina siyabonga
(Oh hallelujah)
Oh, oh hallelujah thina siyabonga
Ngilubonga Nkosi uJesu
Uthando lwakho
Wehla ezulwini
Ukufela mina
Yingakho ngingeke ngipheze
Yeb’ukusho futhi ngithi hallelujah
Oh, oh hallelujah thina siyabonga