B♭m
Bb Minor — the darker triad — the flattened third gives it weight and emotional pull.
The keys
B♭ – D♭ – F
What's inside B♭m
| Note | Interval from root | Degree |
|---|---|---|
| B♭ | Root | 1 |
| D♭ | Minor 3rd | b3 |
| F | Perfect 5th | 5 |
Inversions
| Position | Keys (low → high) |
|---|---|
| Root position | B♭4 – D♭5 – F5 |
| 1st inversion | D♭5 – F5 – B♭5 |
| 2nd inversion | F5 – B♭5 – D♭6 |
A working voicing
Split the chord between two hands the way working players do — a solid shell low down, the colour tones up top:
| Hand | Keys |
|---|---|
| Left (shell) | B♭2 – F3 |
| Right (colour) | D♭5 – F5 |
Where B♭m lives
As the i chord
B♭m → G♭ → A♭ → B♭m
The minor home base: i–VI–VII pulls away and lands back home.
In a ii–V–i
Cm7♭5 → F7 → B♭m
The minor two-five resolving into this chord as the destination.
Put B♭m under your fingers
Hear every voicing, see the keys light up, and drill it in the interactive Chord & Voicing Lab.
Open the Chord & Voicing Lab →