Bm
B Minor — the darker triad — the flattened third gives it weight and emotional pull.
The keys
B – D – F♯
What's inside Bm
| Note | Interval from root | Degree |
|---|---|---|
| B | Root | 1 |
| D | Minor 3rd | b3 |
| F♯ | Perfect 5th | 5 |
Inversions
| Position | Keys (low → high) |
|---|---|
| Root position | B4 – D5 – G♭5 |
| 1st inversion | D5 – G♭5 – B5 |
| 2nd inversion | G♭5 – B5 – D6 |
A working voicing
Split the chord between two hands the way working players do — a solid shell low down, the colour tones up top:
| Hand | Keys |
|---|---|
| Left (shell) | B2 – G♭3 |
| Right (colour) | D5 – G♭5 |
Where Bm lives
As the i chord
Bm → G → A → Bm
The minor home base: i–VI–VII pulls away and lands back home.
In a ii–V–i
D♭m7♭5 → G♭7 → Bm
The minor two-five resolving into this chord as the destination.
Put Bm under your fingers
Hear every voicing, see the keys light up, and drill it in the interactive Chord & Voicing Lab.
Open the Chord & Voicing Lab →